Showing posts with label Songwriting. Show all posts
Showing posts with label Songwriting. Show all posts
Monday, May 27, 2013
Friday, March 29, 2013
Monday, March 04, 2013
Saturday, December 01, 2012
Sunday, October 14, 2012
Wednesday, October 10, 2012
Tuesday, August 21, 2012
Wednesday, August 15, 2012
Vintage Recordings of Patti Smith's Poetry
Awesome.
One of Smith's poems...
seventh heaven
Oh Raphael. Guardian angel. In love and crime
all things move in sevens. seven compartments
in the heart. the seven elaborate temptations.
seven devils cast from Mary Magdalene whore
of Christ. the seven marvelous voyages of Sinbad.
sin/bad. And the number seven branded forever
on the forehead of Cain. The first inspired man.
The father of desire and murder. But his was not
the first ecstasy. Consider his mother.
Eve's was the crime of curiosity. As the saying
goes: it killed the pussy. One bad apple spoiled
the whole shot. But be sure it was no apple.
An apple looks like an ass. It's fags' fruit.
It must have been a tomato.
Or better yet. A mango.
She bit. Must we blame her. abuse her.
poor sweet bitch. perhaps there's more to the story.
think of Satan as some stud.
maybe her knees were open.
satan snakes between them.
they open wider
snakes up her thighs
rubs against her for a while
more than the tree of knowledge was about
to be eaten...she shudders her first shudder
pleasure pleasure garden
was she sorry
are we ever girls
was she a good lay
god only knows
Sunday, April 29, 2012
Friday, April 20, 2012
Thursday, March 15, 2012
Saturday, January 28, 2012
Monday, October 24, 2011
Thursday, August 11, 2011
Shakespeare and Country Music
There's a tie between them? Indeed!
From a piece in the Los Angeles Times...
Why haven’t Shakespeare and country music come together more often?
“Country music deals so unabashedly with big feelings — just like tragedy,” Chalsma said. “I thought the audience would connect to the song.”
Country music has long been a place where songwriters explore romantic tragedy using language as compact and colorful as the Bard of Avon’s. Clever couplets, vivid imagery and unexpected turns of phrase are the stock in trade of both.
In modern times, Shakespeare’s work is often placed among the pinnacles of high art in the Western world; just the opposite of country music, which is strongly rooted in the lives and concerns of regular folk. But the two are, historically speaking, closely connected.
“It’s always ironic to me when people start talking about Shakespeare as being so highfalutin’,” said Thomas Bradac, founder of Shakespeare Orange County and a theater professor at Chapman University in Orange. “The poetry was always considered high art, and the sonnets, but the plays themselves were the dime novels of their day. That’s why the royalty didn’t go to them, and why they got kicked out of London and moved to the South Bank, next to the whorehouses.”
Some directors have set productions of “Taming of the Shrew” in the Old West to help audiences connect better with Shakespeare’s treatise on gender stereotypes, while the Bard’s best-known themes and characters have occasionally surfaced as country song fodder.
Taylor Swift’s hit “Love Story” may be the most recent example, one in which the young singer-songwriter cast herself and her would-be love as Shakespeare’s star-crossed couple. Except she added a happy ending.
Saturday, July 23, 2011
A Clockwork Orange - The Musical?

Indeed and the author, Anthony Burgess, even wrote some songs for it.
From a piece in the Guardian...
Burgess, who died in 1993, started working on a stage version of A Clockwork Orange a decade after Stanley Kubrick's controversial 1971 film adaptation. "The reason why Burgess wanted to make his own stage adaptation, quite a long time after Kubrick made the film, was to assert his ownership of the story," Dr Andrew Biswell, director of the International Anthony Burgess Foundation, told BBC News. Although the Royal Shakespeare Company premiered a production based on Burgess's script in 1990, his songs were replaced with compositions by U2's Bono and The Edge.
Despite his dark tale of delinquency, Burgess's songs aren't so grim. "It's pretty close to West Side Story," Biswell said. "That's one of the obvious influences." It's a sinister image: droogs snapping their fingers and singing about Maria. "There's this scene in prison, where one of the prisoners is kicked to death, which is throwaway and jolly," Biswell explained. "That's completely different from the corresponding episode in [Kubrick's] film, which is gloomy and depressing."
Saturday, July 02, 2011
Jarvis Cocker on Writing
Jarvis Cocker on Writing and Publishing his Lyrics from FaberBooks on Vimeo.
And, Jarvis Cocker singing:
Friday, June 17, 2011
Wednesday, May 04, 2011
Thursday, April 07, 2011
Kate Bush and James Joyce

The New York Times makes brief note of Kate Bush and a song in which she's officially allowed to use the words of one James Joyce.
Ah, Kate Bush:
Thursday, September 30, 2010
The Ben Folds/Nick Hornby Collaboration
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