Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

Thursday, March 20, 2014

JRR Tolkien's Translation of Beowulf


It's coming. 90 years after it was done.

From a piece in the Guardian...

Tolkien himself called the story "laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination", saying that "the whole thing is sombre, tragic, sinister, curiously real".

Although the author completed his own translation in 1926, he "seems never to have considered its publication", said Christopher Tolkien today, announcing the Tolkien estate's new deal with HarperCollins to publish Beowulf: A Translation and Commentary on 22 May. The book, edited by Christopher Tolkien, will also include the series of lectures Tolkien gave at Oxford about the poem in the 1930s.

Monday, May 06, 2013

Alan Moore, Interviewed


Comics Beat chats with him about his giant forthcoming volume on H.P. Lovecraft.

From the piece...

PÓM: OK, seeing as we’re talking about Providence… Is it a biography of Lovecraft, or what is it? Or a fantasised biography, or what is it exactly?

AM: I don’t want to talk too much about it, because, well, sometimes I have had problems in the past with – I’ll talk enthusiastically about whatever project I’m on, which won’t be coming out for at least another year, and the next thing, I’ll see some projects that are perhaps similar, and get out there. But what Providence is, is an attempt to write – at least, my attempt to write what I would consider to be a piece of ultimate Lovecraft fiction, in that it will be fiction, it will be a continuation of Neonomicon, it will in a sense be a prequel to that book, but it will also – slightly – be a sequel as well. It will be dealing with the world of Lovecraft’s American-based fiction, which tends to sort of rule out stories like The Mountains of Madness which, although, yes, it does have a strong Miskatonic element in it, is largely based in Antarctica.

But we’re going more for Lovecraft’s New England fiction, and a couple of the New York stories. We are kind of connecting these up intro what I think is an ingenious whole, even though I say so myself as shouldn’t, and it’s – and what we’re also doing, as well as answering all the problems, all the questions raised by Neonomicon – even if the readers hadn’t noticed that those questions had been raised – we’re going to be detailing this hopefully fresh view of Lovecraft’s universe, or at least its American component, and we’re also going to be working not only from Lovecraft’s published fiction, and his poems, and his letters, but also from his biography. I think that there’s a way that there could be a sort of parallel world biographical strand in this, that is never the less researched so thoroughly that it could have happened. It could have happened. I mean, the research on this has been – this is the most demanding research I’ve done easily since From Hell.

Sunday, January 27, 2013

How is a Fantasy Book Cover Born?


Ask the person who made it.

From a post on Michael Whelan's blog...

My approach to A MEMORY OF LIGHT was dictated by unfamiliarity with the series. Not having read The Wheel of Time books, I focused on the scene provided and the characters therein while also keeping in mind that this book was the culmination of many years of reading for devoted fans.
It seemed best to start with the focus of the painting: Rand himself.

My initial sketches explored the pose he might adopt as he entered the dark confines of the cave. I attached light sticks to a wooden bokken and descended a flight of stairs with the lights off, trying to get a feel for how he would be holding the sword to light his way into darkness. (Since early in my career, I’ve found a kinesthetic sense of the figure’s pose is helpful before attempting to recreate it in it’s variations.)

Wednesday, January 23, 2013

Fighting Sexism - One Sci Cover Cover at a Time


Science fiction and fantasy novels routinely portray scantily clad woman on their covers - a device that draws the heterosexual male eye but may turn away women readers. Lynsea Garrison finds one fantasy author aiming to zap gender stereotypes for BBC News.

From the piece...

Since he started in January 2012, Hines' poses have become the most popular posts on his blog. So he launched a new series in December to raise money to fight Aicardi syndrome, a genetic disorder that mostly affects girls. 

The series has drawn more than 100,000 people to Hines' website and raised $15,405 (£9,623) for the cause.

The project is one of the latest expressions of a growing conversation about the portrayal of women in science fiction and fantasy cover art.
  
Tracy Hurley co-founded Prismatic Art Collection, a directory of artists who draw more diverse depictions of men and women in fantasy art, particularly for role playing games like Dungeons and Dragons.

"Women are so often portrayed assuming that a stereotypical hetero male is going to be the person looking at the cover," says Hurley.

"Male characters [are] powerful and strong, and women's sexuality will be emphasised. And why is that a problem? It's constraining for both men and women."

Friday, December 14, 2012

The Hobbit Marketing Onslaught


Salon discusses it, here.

From the piece...

The only problem is that “The Hobbit” isn’t like those other properties; it’s a literary adaptation. You don’t expect to see “Anna Karenina” parceled out into three giant chunks, each one filling out the narrative gaps with new sequences involving secondary and tertiary characters — and maybe a few cameos from players in “War and Peace” while they’re at it — even though “Anna Karenina” is much, much longer than “The Hobbit.”

But my guess is that the suits at New Line don’t see “The Hobbit” as a literary property; they see it as a typical genre confection — something that can be marketed as video games and action figures and smartphone apps and meals at Denny’s (the mind reels at the thought of J.R.R. Tolkien perusing a Denny’s menu).