This plotline rarely changes; the details are grisly, the scenarios harrowing. Yet we can’t get enough of such stories.
From a piece on the Millions...
Krakauer has parlayed his mountaineering adventures in exotic locales into a successful writing career. Into Thin Air, his gripping nonfiction account of the 1996 Mount Everest disaster, popularized and epitomized a genre that has in many ways become synonymous with Krakauer: the true-life extreme survival story. Stories in this genre follow a predictable pattern: an individual sets out on an adventure, things go horribly wrong, he or she confronts the possibility death, and lives to tell an incredible story. Disaster pushes man to the edge between life and death, and a lucky few live to tell about it. This plotline rarely changes; the details are grisly, the scenarios harrowing. Yet we can’t get enough of such extreme survival stories.
Take, for instance, Lauren Hillenbrand’s latest nonfiction bestseller Unbroken: A World War II Story of Survival, Resilience, and Redemption, which relates Louis Zamperini’s improbable true adventures, from shipwreck and starvation to shark attacks and torture. Zamperini’s extreme story is filtered through Hillenbrand’s capable narration, but it has much in common with other first-person survival accounts, including Aron Ralston’s 2005 book, Between a Rock and a Hard Place. Ralston’s book chronicles his amputation of his own arm following a bouldering accident in a Utah canyon, and was adapted into a successful Hollywood movie (127 Hours) starring James Franco, who was nominated for an Oscar for the role. In 1974, Piers Paul Read published Alive: The Story of the Andes Survivors, which charted the grim ordeal of a South American rugby team after their plane crashed in the Andes mountains and they resorted to survival cannibalism in order to stay alive.
Why are we so fixated with such tales, gory and clichéd as they may be?
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