
In the New York Times, there's an essay about the evolution of Uncle Tom from Harriet Beecher Stowe's classic novel, Uncle Tom's Cabin.
From the piece...
And yet, driven by a passionate hatred of slavery, she found time to write “Uncle Tom’s Cabin,” which became the most influential novel in American history and a catalyst for radical change both at home and abroad.
Today, of course, the book has a decidedly different reputation, thanks to the popular image of its titular character, Uncle Tom — whose name has become a byword for a spineless sellout, a black man who betrays his race.
And we tend to think of the novel itself as an old-fashioned, rather lachrymose affair that features the deaths of an obsequious enslaved black man and his blond, angelic child-friend, Little Eva.
But this view is egregiously inaccurate: the original Uncle Tom was physically strong and morally courageous, an inspiration for blacks and other oppressed people worldwide. In other words, Uncle Tom was anything but an “Uncle Tom.”


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